Gordon Mumma - Dresden Venezia Megaton

Review by Mbui Suleiman

Dresden Venezia Megaton by Gordon Mumma is a groundbreaking album that showcases the composer's innovative approach to electronic music. The album consists of four pieces, each of which explores different sonic textures and timbres.

The first piece, "Dresden Interleaf 13 February 1945," is a haunting meditation on the destruction of Dresden during World War II. Mumma uses a variety of electronic sounds to create a sense of chaos and devastation, while also incorporating more melodic elements to evoke a sense of mourning.

The second piece, "Venezia Spaces," is a more abstract work that explores the relationship between sound and space. Mumma uses a variety of electronic effects to create a sense of movement and depth, as if the listener is navigating through a complex sonic landscape.

The third piece, "Megaton for Wm. Burroughs," is a tribute to the writer William S. Burroughs. Mumma uses a variety of electronic sounds to create a sense of disorientation and unease, reflecting Burroughs' own experimental approach to literature.

The final piece, "Dresden Venezia Megaton," is a tour-de-force that brings together all of the elements of Mumma's approach to electronic music. The piece is a dense, complex work that is both challenging and rewarding for the listener.

Summary by Mbui Suleiman

Dresden Venezia Megaton is a must-listen for anyone interested in the history of electronic music. Mumma's innovative approach to sound and his willingness to explore new sonic territories make this album a true masterpiece.